He Miaoba is probably because of the vocal cords, which is why he is incomplete in tone. Think carefully about what she just sang, the mid and low notes are still accurate, but when it comes to "The Brightest Star in the Night Sky", when it takes an octave high notes, there is obviously a problem. She should be like Chaos' guitarist Zhao Xu, with incomplete vocal cords and out of tune as soon as she sings the high notes. She usually speaks very lowly and relatively neutrally. She probably knows that she has a problem with incomplete tone, so she does not raise the tone when she speaks.

If we say that He Miao's musical feeling is quite good, when Wei Yimin brought it to He Miao, Du Xinghe secretly inspected the recording level of the girl. After all, he didn't know much about Wei Yimin. Although Wei Yimin was introduced by Li Chuanyin, he had never dealt with him. Who knows if he brought a relative who made a living?

Du Xinghe took the opportunity to discuss some recording issues with He Miao and tried the recording level of the tomboy. To his surprise, the tomboy has a rich recording experience and has formed her own insights and styles for recording, which surprised Du Xinghe. Because a recording artist who can reach this level has long surpassed the level of assistants and can already stand alone!

Du Xinghe even doubted whether Wei Yimin had been asking He Miaozhu to record as a coolie for him in the past two years, and he was waiting for the finished product by himself. Because He Miao's rich recording experience must have been summarized after a lot of recording practices, and he had many personal habits and insights, which were definitely not something that the school could teach.

For example, when choosing a microphone, He Miao has his own opinions on the job that is not very important for junior recorders, but is very important for top recorders.

Du Xinghe once asked He Miao tentatively if the target singer Bartley came to Yunshi to record his popular song "Battle" two years ago, among the 12 microphones in Yunshi, the microphone was the best recording effect. He also put on a song set and took the initiative to ask whether the "Divine Voice Microphone" should be used to record the best effect.

He Miao thought for a moment and told him that Bartley's "Battle" is not suitable for using a divine voice microphone. It should be recorded with Huaqi 149. Although Bartley's bass is very thick and outstanding, the biggest highlight of the "Battle" he wants to record is the breadth of the range and the details of the sound. Only with Huaqi 149 can the charm of the song be presented to the most perfectly.

Du Xinghe was quite satisfied with He Miao's answer, because among the existing microphones in Yun World, Huaqi 149 is indeed the microphone that best reflects the details of singers' voice. The Divine Voice Microphone produced by BV is a universal microphone like a panacea. Among the CDs produced on the market, more than 70% of the songs are recorded with Divine Voice. The tone of this mic is very outstanding, and the sound will be very strong. The low frequency is thick and contagious, and the medium and high frequency also has good performances, which can cope with almost all types of singers, but for some special singers, this mic cannot perform the best effect.

Like the voice of the king-level Barkley, the layering and display are one level higher than that of ordinary singers. They will record the recording using a personal microphone. And it is not a special one. Top singers have a customized microphone to deal with songs of different styles.

Fang Yajun is the same. She always chooses the microphones for recordings herself. Their private recording studio has purchased a diamond seven-star microphone with nearly one million German marks customized from Wolfsburg, Germany, which can handle various types of songs.

He Miao followed Wei Yimin to Fang Yajun's recording studio once, helping Fang Yajun and Yi Yan record "There is "Qingren" in the world", but at that time she was shocked by Fang Yajun's set of microphones! When she came back, she sighed to Du Xinghe and expressed her ardent hope for the new recording studio in Yunshi. She hoped to get a microphone system like Fang Yajun. With that microphone system, there was no need to be post-tuning, and its tone was enough to reach the production level!

Du Xinghe also wanted to get a set of seven-star wheat to record for Yunshi singers. He had already placed an order from Germany. Unfortunately, the process of this kind of wheat is very complicated and needs to be calibrated for a long time before leaving the factory. It usually takes one year to send it to the customer's recording studio for installation and debugging. Therefore, after the new recording studio of Yunshi is renovated, it can only be used to record the domestic top microphone system.

He Miao not only inherited Wei Yimin's legacy in choosing a microphone, but also was very good at some opportunistic techniques. There are many songs with the same rhythmic singing style as the second and first paragraphs. There is no need for the singer to repeat twice and have a technique to let the singer sing it once. Although this opportunistic skill cannot be used when recording the original master, it is very easy to record some one-time background sounds of the event. For example, when Xu Nuo participated in some outdoor lip-sync activities, he recorded the lip-sync version of "Little Bird", and He Miao easily recorded it for her.

There are other experiences. She is also very good at taking advantage of the opportunity to help singers save trouble. For example, when watching the voices, whether they need to spray the microphone or not, she basically does not add them as long as they record not many times. If she occasionally sprays a certain word, she will wait for the singer to finish recording, just take the anti-blasting cover and ask the singer to record that sentence. At that time, just replace the microphone and don’t need to move anything else. Du Xinghe doesn’t know this trick. After seeing He Miao once, he found it very useful and learned it.

In short, the recording level of this tomboy is so high that it completely exceeds Du Xinghe's expectations for her. Wei Yimin said that he brought an assistant here and was a part-time job, but in fact, He Miao's ability is completely able to deal with independent recordings. Yun Shi spent half a share of money on her and did two things, which is quite cost-effective.

Du Xinghe attaches great importance to this tomboy and is ready to train her. After two years, He Miao graduated, he will hire her to Yunshi full-time, allowing her to carry a recording team alone to expand the behind-the-scenes strength of Yunshi.

In Du Xinghe's eyes, He Miao's personality is very masculine. He speaks and does not feel dragged on the slightest. Moreover, she does not cling very much, nor does she have the habit of being reserved. She often makes a few dirty words and speaks like a boy. She has many movements and is very masculine. She likes to hang her shoulders and shakes her feet. She sits in a very irregular manner and has no femininity.

I don’t know that He Miao is a girl, but after contacting her, I definitely thought she was a handsome guy who was like a fake one. The woman would definitely be shocked when she met her in the women’s bathroom.

Even those of Du Xinghe and others who know that she is a daughter usually treat her as a boy because she is a pure man from the bottom of her bones. She must have been so angry in her previous life that she became a daughter in this life, but unfortunately she has not changed her soul.

He Miao has always given Du Xinghe an image of a masculine boy with cleverness and talent. It was not until then that he heard He Miao sing. Du Xinghe realized that this guy still had a woman's side. She was not a 24K man, but 18K.

When Du Xinghe came to play the piano room, He Miao had finished singing "The Brightest Star in the Night Sky". That night she was going to stay up late in the company to record a project task assigned by the music recording team. The first half of the time had been recorded, and her ears were numb. Then she came to the piano room to relax.

You should know that the environment of the recording studio is completely different from that of the ordinary room. The sounds heard by the recording artist's headphones are quite different from those heard by everyone in daily life. What they hear is a clean sound, like a towel twisted with water. Because the shed is installed according to the principle of sound absorption, the purpose is to eliminate the sound reflected by the house walls. Only the sounds made by the singer are directly displayed. This sound is called a dry sound. The recorder hears almost all this dry sound, and comes to find the pitch.

This kind of dry sound echoes in the monitor headphones the singer wears when singing. This sound is very different from the usual singing sound. Some new singers enter the studio to record and hear their own dry sound for the first time. They are even shocked! They are very uncomfortable with this sound and are not used to it, and the feeling of singing is gone.

When Du Xinghe first recorded "Little Bird" for Xu Nuo, Xu Nuo was very uncomfortable with his dry voice. When singing the high notes, he always exerted too much force, which made Du Xinghe angry and scolded her several times because she had released records in the era before. She should not have made such a problem that newcomers are not adapted to dry voice. Even if they don't record the old ones, she should know that feeling. Unfortunately, Xu Nuo always doesn't grasp it well.

Later, Du Xinghe went to Hongyan and felt the recording studio of Hongyan and found out that Xu Nuo was not adapted to Yunshi. It turned out that the level of Yunshi Recording Studio was too low, and the sounds sung by the singers were very "weird", and the taste was not described. Du Xinghe herself used this studio since she came to this world. So she was used to it. But Xu Nuo used to recording in high-end recording studios, and they all had experience two years ago. After she came to Yunshi, she had no chance to enter the studio to record. As a result, she suddenly stopped and officially recorded the studio, and she was very uncomfortable.

After He Miao came to Yunshi, he complained directly about Yunshi's recording studio. He thought the effect was too poor, and his ears were silly if he listened too much!

However, she already knew that Cloud World was spending 5 million to build a new recording studio, so she stopped complaining and instead looked forward to the new working environment.

Now here, she's done it first.

That day, she numbed her ears and she came out to rest. Seeing that no one stayed up late to work tonight, she was the only one, so she came to the piano room to sing songs freely to relax her spirits. In fact, when she sang this song "The Brightest Star in the Night Sky", her tone and feelings were still very masculine, but because the tone was raised a level and she was not as tight as she usually had, so her voice showed some feminine texture.

But she didn't like her current voice very much. She knew that she had a problem with tone incompleteness. If this problem was not for the more obvious performance when singing with her voice, she would have sang with her voice.

But it doesn't matter how you sing, no one listens to it anyway.

He Miao never sings in front of outsiders, even though she likes singing very much. But because singing with the real voice she likes is too ugly, and she doesn't want others to hear her feminine voice that seems very artificial to her, so she simply stops singing in front of outsiders. Only when she is herself can she sing relaxedly to relax her mood.

At this time, after singing Du Xinghe's song "The Brightest Star in the Night Sky", another Du Xinghe's work appeared in He Miao's mind, and she liked "Similar to Love".

With a simple guitar melody, she sang the song "Similar to Love". She sang this song in a relatively relaxed female tone, but unlike "The Brightest Star in the Night Sky", she had a persistent masculine mood. When she sang this song, her voice was a bit entangled.

The musical feeling is as high as Du Xinghe. When he heard He Miao sing this song "Similar to Love", he felt it was a bit interesting from the first sentence.

...

I'm standing on the roof ~

The light and shadow of dusk ~

I heard the sound of love coming~

Subtle reaction ~

I suddenly remembered you ~

This tacit understanding feels like a mystery~

...

I feel a little anxious ~

A little angry too ~

Don't give up~ OK?

I'm crossing the road ~

Where are you?

I hope to follow you~

...

I and you recently

All have the same mood ~

That's something like love ~

On the same day, I found love is approaching ~

That's love ~ not maybe ~

...

But don't forget ~

You have to believe in yourself~

Give me some love-like responses ~

This world is ruthless Thank you ~

Say it~ I love you~ I really want to hear it~

...

This song "Similar to Love" comes from the last plane Elva Hsiao's album "Three-faced Eve" in 2008. Because the melody of this song is a bit retro and looks like an old song, Elva Hsiao's singing style uses a singing style that is similar to Karen Mok, which is very painful and clear and emotional, so many people mistakenly think that the original singer of this song is Karen, but in fact, the original singer of this song is Elva Elva.

The lyrics of this song are very exquisite and the combination of the song is also very touching.

If you don’t know the background of this song, just look at the lyrics of this song, or even listen to Elva Hsiao’s singing, most music fans will think that this song is probably just a psychological description of a couple who have feelings for each other but have not yet clarified their relationship. It is the ambiguous stage similar to love, and the protagonist’s love is coming soon, sweet, bitter, and various feelings are intertwined, but the core theme is still a sweetness with a little complaint.

However, after listening to Elva Hsiao's interpretation, the musician with appreciation will definitely appreciate the connotation of this song. It is actually very mysterious.

The soundtrack of this song is not a sweet tone, but an aesthetic sad tone! It can even be said to be a painful tone!

Because this song is not the love between the opposite sex, but the love between the same sex that is "like love"!

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