Steel melts, space distorts.

Everything on the Yamato battleship became Fujisaki Akane's weapon.

Sharp sharp blades slashed through the air, forming a sonic boom, and shot towards Serena.

Dodge, collide, and use everything around you. In your own realm, Serena can use "Daoyun" as a weapon.

Everything is the most exquisite intuition, mathematical calculations.

But unlike Aka Fujisaki, Serena, who has her own field, cannot change too many physical rules.

The battle between the two was like magic and the other was like a master who manipulated his body skills to the limit.

The confrontation between two humanistic ideas and aesthetic thinking is displayed on the screen in music, accompanied by an exciting battle.

Not every audience can understand this.

Serena and Akane Fujisaki's hearts are easily felt, and their thoughts and aesthetics are much more obscure.

In other words, most audiences, including many adult audiences, cannot deeply understand the pictures and music at this moment, let alone agree with them.

But the battle between Serena and Akane Fujisaki itself, their actions, and their special effects during combat are enough to stimulate the nerves of any audience.

Even if you don’t understand the display of the pictures and music, it will open the audience’s eyes.

This may be the first time that a director has shown the field of action scenes to the audience in a reasonable and moving picture form.

About spirit, aesthetics, and even stream of consciousness, countless directors have tried it in art films, conveying it to the audience with strange pictures.

There has never been a battle between two people in these scenes.

It is also easy for the audience to accept, and what makes the directors feel cleverly is that Ning Yun's display of the art and spiritual world is mainly based on combat, supplemented by connotation and aesthetics.

The primary and secondary are clear, which is not only because you don’t like the color of the picture, the interlaced ideological conflicts, but only look at the action scenes themselves, which is enough.

What makes the directors feel even more clever and unable to learn is that both of them in the battle are beautiful women.

Women, both in Western and Eastern cultures, represent beauty.

Whether it is about thoughts or aesthetics, it is not easy for the audience to accept it if it is any man.

It’s not even possible to be an actress who doesn’t have enough connotation. It almost becomes a pretentious and distorted attitude.

In Akane Fujisaki, the glitz that she shows vigorously is the worldly love, not the mentality.

In Serena, the tranquility that is hard to express is understanding, not appearance.

The directors know very well that the path Ning Yun pioneered is indeed integrated in business and art.

The plot is concealed but not revealed, and the picture and camera are more bold and challenging.

A deep person can have a deep understanding, and a person who just wants to relax does not have to pay too much attention.

If you are between the two, you can be biased towards either side.

But this path is extremely difficult and may even be thankless.

Similar, only a little similar, may be "Blade Runner".

On the screen, "Legend of the Night" is more bold, but only special, special effects and combat parts, and the rest still follows tradition.

In terms of plot, "Legend of the Night" wins too much than "Blade Runner", and the main body does not have any part of it that is out of the framework of superhero movies.

There is no dullness to any audience.

In action scenes, there are more than all action movies and superhero movies.

In this way, other directors and producers who want to imitate him can only despair.

...

The continuous explosions broke the two of them's domain confrontation. Serena, who was at a disadvantage, was saved by the battle from the outside world again, and the Yamato was seriously injured.

The camera conversion, the battle outside the Yamato battleship has come to an end.

The blood clan girl defeated the enemy again and again.

The ship wolf, which had exhausted its physical strength, was unable to teleport, and was eventually captured or seriously injured by the blood clan girl.

The sailors rushed forward one by one, but they were no match for the blood girl at all.

There are ship wolves. Although they have reduced the combat effectiveness of the warships after being injured, the armor strengthening is still there, and the resistance to sinking of each warship remains excellent.

There were severely injured Japanese warships everywhere on the sea, and not many of them were truly sunk.

The attack continued until the sun set on the sea, and the US fleet pulled the distance and prepared to complete the final blow with its naval guns to destroy the Japanese Combined Fleet.

On the Yamato battleship, Serena and Akane Fujisaki were also decided.

As the Yamato battleship was hit by bombs and torpedoes again and again, Akane Fujisaki's territory became smaller and smaller until it dissipated.

Under the impact of Serena, she fell into a coma.

The night once again shrouded the ocean.

The battle situation is irreversible, and the joint fleet ordered a retreat.

As long as most of the warships are still there, their strength will be restored soon.

The blood-horse girls on the warship are a problem, but they are too small to be surrounded and not attacking to control them within a certain range.

Whether you return to the port or concentrate your manpower, as long as there is no external interference, they can be subdued or eliminated soon.

However, before the warship turned, the blood clan girls captured the seriously injured ship wolf, rushed to the siege of the sailors, jumped off the warship and jumped into the sea.

In the astonished gaze of the sailor, the blood girl and the ship girl sank under the water.

Below the sea, a water drop-shaped submarine that exceeded the design concept of World War II, floating quietly.

Above the submarine is a strange hatch that can be deployed, similar to a submarine-launched ballistic missile submarine.

The blood girl and the ship wolf they captured were snorting into the cabin one by one.

The outer hatch door is closed, the sea water is discharged, and the hatch door inside the China Unicom submarine is opened.

Most of the ship wolves who were already unconscious were dragged into the submarine by the blood clan girls.

The shipwolves were thrown on the hospital beds, and the doctors and nurses of the blood clan immediately gathered to rescue them.

Serena was holding Akane Fujisaki and was in it.

The figure of "Taiyi" appeared again, but his face turned pale.

Serena waved her hand and took the blood bag and replenished the unconscious Akane Fujisaki.

The audience suddenly realized that the blood that saved the ship wolf was "Taiyi" again.

After inputting "Taiyi" blood, Akane Fujisaki's face returned to blood, and her twitching body calmed down.

With the blood of "Taiyi", the wolves who were seriously injured and left the fusion warship can survive.

The other ship wolves are the same as Aka Fujisaki, including the two lolita Ashita Ashita and Hana Tani who slowly turn to.

The audience was relieved. I didn’t see the blood girl abuse the Loli just now, and there was indeed a reason.

Unfortunately, maybe the academic director made it, but this part does not belong to pg13 anyway, so it can only be cut...

How could "Taiyi", who lived longer than Serena, besides stupid, be just the founder of an animal protection organization?

Looking back at the camera, Serena and "Taiyi" have secretly planned the battle.
Chapter completed!