After the release of "The Legend of the Night", there were a number of articles reviewing and analyzing this scene, including professional film critics, directors, well-known actors, and even mathematicians.

Shooting techniques, aesthetic significance, logic and physical rules are the focus of everyone's analysis. Some people even give this lens its independence and freedom spirit.

Of course, there are more comparisons, and the wonderful contrast of cultural connotations...

But at this moment, the audience really didn't think so much, and was completely shocked by the strange scenery and inexplicable atmosphere.

This is a special effect, not a special effect.

It is said to be a special effect, because without special effects, you cannot create such a lens.

It is not a special effect. All of this is just the original scenery, it exists, but it has never appeared in human vision.

How many years have you been? A video does not rely on special effects, but on a unique visual angle to shock the audience?

Isn’t this the most essential, rooted and core content of the movie?

It is not a special effect, there is no story, only the original image and the active image.

The directors who woke up the most were deeply touched.

When humans are limited to their own thoughts and human vision, Director Ning Yun has already looked at the world with another perspective and brought this world to the audience.

Not only that, he also surpassed himself.

If director Ning Yun was good at discovering the beauty of women in the past, no one was better at it than him, but now, his pursuit of beauty is no longer limited to gender, or even to creatures themselves.

This night sky that embraces the starry sky and the waning moon, the Milky Way and the earth, is not the protagonist.

Serena still has temperament, but she is not the most eye-catching existence. She is just one of the perfect scenery.

Some people may think that Serena's beauty transcends gender.

The fact is that the picture created by Director Ning Yun does not need gender, not a beautiful woman, but a creature to cooperate with the eternal existence.

The directors know very well that Ning Yun did not use distorted shots to express obscure philosophical thoughts.

He simply changed the color and expanded the dynamic range.

But the simpler, the deeper, the more incredible it is.

The more ordinary things are, the easier things are to understand. The more shock you bring with you from a different perspective.

The clear Milky Way, like the starlight of lines, the white waning moon, and the strange colors, the bright and rich mountains, rivers and earth appear in a picture at the same time, bringing the audience not only beauty, but also unspeakable thoughts.

The feeling at that moment, the shock at that moment, was like the first time humans saw the scene of space.

Below your feet is a blue planet full of life, and above you are a cold and distant starry sky.

If humans do not enter space, they will never be able to see such an incredible scenery.

Just like everything on the big screen at this moment, humans are not blood clans, not Serena, and they will never be able to see the scenery at this moment.

Maybe when you see these scenery too many times, you will feel ordinary, but once you see it, just like the first time you see the earth and the starry sky in space, you will have a long attachment, a long-term indescribable way, and a long-term shocking thinking.

Yes, humans cannot see it, but these scenery is like the earth and starry sky in space, and does not exist because humans are invisible.

It has been there, quietly waiting for something unique. This time, it is not waiting for humans to climb into space, but perhaps waiting for creatures that are different from humans to discover.

This is the world in Serena's eyes.

When this world is presented to humans, the audience understands Serena the fastest and most profoundly the most.

The audience is even more grateful that Director Ning Yun brought this world to us.

The directors and some careful audiences found that the world in Serena's eyes was different from that in the eyes of the blood pilot Katy.

Katie is colder and more monotonous, while Serena is richer and more moving.

Then this world, these pictures, are likely to show Serena's spiritual world.

Some Chinese directors suddenly realized that this was a profound oriental philosophical metaphor, and that humans themselves viewed different realms of the external world.

The so-called "three layers of landscapes", and the pictures on the large screen include mountains and rivers, as well as the starry sky, the bright moon and the Milky Way.

This kind of cultural invasion is too profound!

Unlike the aesthetic significance of "Chongling Sword Technique", this time, "different worlds" are a picture reflection of Eastern philosophical thoughts.

After the screening of "Legend of the Night", there were indeed many discussions on the Internet, about why the world in Katie's eyes is different from that in Serena's eyes.

If only Serena were the audience, the audience might ignore it, but there was Katie, and some important character who had not appeared in the story now, and the audience would not ignore these clues in any case.

Discussions on Eastern philosophy are spread throughout many countries and many people who speak different languages.

This is an extremely important hot issue in "Legend of the Night", and even goes beyond the aesthetic discussion of "Sword of the Spirit".

The different worlds in your eyes are expressed in movies, not the first time you have been on the movies.

But it is definitely the first time in the impression of ordinary audiences.

Because those literary films in the past were too obscure and couldn't understand them at all, and no one was willing to watch them.

In the eyes of the director, Ning Yun was indeed the first time.

Other films, including very niche art films, express different worlds in different eyes of different people, and their starting point is the individual.

Most of the time, it is crazy people, messy people.

The world must be obscure and difficult to understand.

Terrence Malik is the best one, strictly speaking, the most popular one.

But his expression is personal philosophy, and there is no comparison. Only by understanding him can you feel the camera and the picture.

Even so, those twisted shots make most people uncomfortable and even unwilling to try.

Ning Yun's expression is not based on individuals, but on culture.

The world he expresses is not distorted or deformed, full of rich details, and is presented from the style and aesthetics of the culture itself.

The most exciting and moving thing is that no matter what culture, the beauty wrapped in the shell must be shocking.

Clear, simple, profound and easy to understand beauty.

Different people can see different levels, instead of having to synchronize with the director to see what the director sees.

Therefore, it is the first time in the history of film that people of different cultures see different worlds and express them with easy-to-understand and shocking pictures.

The most ironic, ridiculous and intriguing thing is that "Legend of the Night" which expresses all this is a commercial movie, a superhero movie that is certainly the least worth remembering!

No wonder people who were not Ning Yun’s fans on the Internet were frankly commented, “Ning Yun is so amazing!”
Chapter completed!