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Chapter 854 The difference between movement and stillness, the beauty of inner beauty

Patching chairs, slapping seats, men's roars, women's screams, and even primary school students' crying.

Several viewers asked inexplicably: "What's wrong? What's wrong?"

Immediately, people around me gave them popular science and technology.

Similarly, they may not believe others, think it is a coincidence, but it is impossible not to believe Ning Yun.

The directors were also shocked by such a battle. This was not just about completing the logic of the story, but intentional and special design.

Because the battle between Lucien and Serena has Western power and beauty, common physical rules, and the charm of Eastern beauty.

The beauty of this charm is not displayed through tranquility, but is the beauty of rapid movement through movement.

Some Chinese directors and Chinese directors also thought of "Gongsun Jianwu". As Du Fu described in "Watching Gongsun Da Niang's Disciple's Sword Dance", "A sword dance moves everywhere. The viewer is like a mountain depressed, and the world is long and low. Huo Ruyi shot nine sunsets, and he is as sharp as a group of emperors..."

This incredible battle on the big screen really has the smell of "Gongsun Jianwu".

The difference from the action scenes in Hollywood endless action movies is that they pursue action scenes to stimulate the audience's desire to fight, stimulate their blood, make the audience's blood boil, clench their fists, and prepare for battle.

In this action scene, what is really pursuing is not direct sensory stimulation, but deeper beauty that shocks the soul.

What directors admire most is that this pursuit of beauty is combined in movement and sensory stimulation, not split and difficult to understand.

Taking "Crouching Tiger, Hidden Dragon" as an example, the oriental aesthetics displayed in it have already gained its taste.

However, although its box office in the United States is good, the main force in creating this box office is the Chinese group.

The success of "Crouching Tiger, Hidden Dragon" is the strong support of the Chinese community for Ang Lee.

Typical European and American audiences who have grown up with European and American education are difficult to appreciate and understand this beauty.

In fact, Chinese teenagers who grew up in the United States also have difficulties in appreciating them.

If it wasn't director Ang Lee, or even if it wasn't Taiwan, the box office results were hard to say.

Ning Yun’s always view is that guidance is better than direct display.

You can say that some philosophical thoughts are very interesting, such as Nietzsche, who tells the interesting and exciting views, but they just threw a book called "The Birth of a Tragedy". How many people can you read it?

In fact, many directors appreciate the combination of business and art more because in their opinion, whether it is Eastern culture or Western culture, as long as they go deeper to a certain level, they will find more and more common points.

The profound thoughts of human beings themselves should not change by country or region, nor should they be distinguished, estranged, or opposed.

Each of them shows the culture of their own country and nation is meaningful, but confrontation is meaningless.

Like Ning Yun, adding the connotation of Eastern culture to the shell of superhero movies with Western cultural products is more meaningful and welcome.

Of course, the audience did not think so much. Even the Chinese audience did not care about such profound questions. Instead, they applauded and laughed enthusiastically, and quickly posted the news of "two white skins playing the sword technique of the spirit of the spirit" to their friends.

Laugh together, enjoy together, and praise together!

For European and American audiences, this battle is truly a beautiful enjoyment.

They don’t know the “Chongling Sword Technique” and can focus more on the beauty in it.

Heavy action movie lovers like hard-working and hard-working. The strong man has to admit that the two people fighting are too different.

This is a wonder that has never been experienced before when viewing movies.

There is stimulation, adrenaline rise, and a strange and comfortable feeling.

From the heart, I am very unfamiliar with it, and I have some impressions but it is difficult to express.

I went around my mind for a lot of circles, and took a detour between middle school and elementary school, and finally found the answer. It was a kind of artistic beauty that did not belong to combat.

Preparatory blue-collar workers who often feel ashamed of art can only tell themselves by touching their conscience, "Okay, I like him, mom, too!"

"I have a full mark on this director, and it won't be reduced!"

For female audiences, it is difficult for them to feel the danger of Lucien fighting Serena, but it is easier to understand the beauty of the swordsmanship of the two.

He even simply regarded the battle between Serena and Lucien as a dance between men and women.

Look, the two people did not collide, vomit blood, and did not hurt each other. What else could they be if they weren't dancing?

An alternative, classic song and dance film that will never appear!

Perhaps it is not as sweet as dancing under the street lights of "Lala Blue", and perhaps it is not as romantic as dancing under the starry sky of "Lala Blue", but it is more pure and ultimate than every dance, showing more love for life!

Their battle is a dance with the soul!

It is the dancer in the blade covered by silver light.

Dancing with life and giving out the most beautiful spiritual and flesh ultimate!

The female audience was extremely determined to their speculation. This was a big feast for all women by the considerate director Ning Yun.

Even the background music is touching and full of artistic atmosphere, and there is no killing smell!

When the battle between Serena and Lucien finally ended, many foreign audiences who didn't understand what the "Sword of the Spirit" were, couldn't help but applaud for such a wonderful action scene.

The biggest difference between watching movies in a cinema and watching movies at home is that when you encounter a wonderful film that goes beyond your imagination, it is very easy to infect each other.

Happiness is superimposed.

And impulse will create happiness and will also drive others.

The audience enjoys the impulse brought by watching the movie "Legend of the Night" and is willing to pay tribute to the film, the director and the actors.

Their performances are so wonderful, and their efforts are so respectable.

Many viewers know that the sword dance between Serena and Lucien is Ning Yun’s understanding of combat and beauty. More importantly, this is not what a qualified commercial film should have.

They (including Ning Yun, the actors and behind-the-scenes) respect us, what reason do we have to not give them respect?!

Even this kind of respect breaks the default rules for watching movies.

When the first audience stands up, there are many more willing to follow him or her.

Although on a global scale, including the Huaguo Cinema, which realized the "Sword of the Spirit", only a very small number of people stood up and paid tribute, it is enough to prove the excitement of most viewers at this time.

In a commercial action movie, I see something more beautiful than a classic song and dance movie, combining action and art dance enjoyment, what is not satisfied, and what is not worth doing something special by yourself!

Even in the theater where Ning Yun and others were located, there were several Japanese boys and girls excitedly applauding.

Of course, this is inevitable with Miss Watson's drive.

After all, Miss Watson paid a considerable price to prevent Ning Yun from performing Lucien.

Miss Watson had known about the "Sword Technique of Crushing Spirit" for a long time.

I also practiced the bed version of "Ningwo Sword Technique" with Ning Yun!

According to Miss Roberts' comment, "How can Ning Yun be able to do such a sword technique without changing Serena to Watson!"

That's true. Not to mention female audiences at this moment, even elementary school students and the toughest men can feel the harmony and tacit understanding in the battle between Serena and Lucien.

Especially those music, rather than killing sounds, it is better to say that two accompanimental music that shines with silver light.

The last note is over, Serena and Lucien collect their swords at the same time.

In the perfect ending, even the sword-taking action was so wonderful that it was very charming, and finally had a moment of slow and stillness.

After the audience breathed a sigh of relief, they naturally appreciated this tranquility and experienced the inexplicable taste of oriental culture.

The directors scattered around the world know that if they do not have the extreme movement that suits the taste before, which is both exciting and beautiful, and there are no dangerous sword lights again and again, this tranquility will not be appreciated by most Western audiences, and they will not experience the difference between movement and stillness and the beauty of the inner part.
Chapter completed!
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