The heroine Nancy in the original film has few lines, and she relies more on expressions and body language, which is relatively suitable for the age of the character.

Now Miss Roberts, who has changed to a much younger one, has arranged an extroverted personality. You don’t have to be as dull as the heroine of the original film. There are more lines, jokes, self-deprecating, and complaining, all of which are good.

Try to shoot more and try differently, and choose the appropriate one according to the overall style when editing, which adds a lot of originality to the film.

Ning Yun would rather regard "Shake Beach" as the Earth version of "Marls Rescue", which is simpler and humorous, and does not need to desperately scare the audience.

Ning Yun also made a lot of changes on the camera, removing most of the thrilling perspectives, preventing the audience from having psychological expectations, and not worrying.

Miss Roberts's beautiful face, the camera looks both greedy and extravagant, and every frame can be as refreshing and tempting as possible.

This is done well in the original film, such as the combination of beach dressing shots, such as several postures on the reef. The most surprising thing is the strong impact scene of the heroine rolling underwater after being attacked by a shark. It is a cruel, shocking, and ultimate beauty.

This scene is the innovation that Ning Yun appreciates the most, and it has rarely been shown in similar films.

Unfortunately, the original film lacks consistency as a whole and does not run through the whole process. There are also several shots that make Black Lively look unfavorable.

It’s not the haggardness after being injured later, but the wrong angle of choice.

The ultimate beauty from the camera is the prerequisite for the actor to be outstanding, and the director must have a peaceful heart and be familiar with the actor's body.

In this regard, Ning Yun has achieved all the standards and is excellent, and has created a perfect body with his own hands, and has explored it in and out many times... Who else can be more familiar with it than himself?

Ning Yun knew very well what posture looked the most charming.

The crew is very small, and everyone has the opportunity to watch the effect after the camera is shot.

Miss Roberts was surprised, and the others were impressed by Ning Yun's lens perspective.

I couldn't help but sigh, old driver!

Instead of deliberately emphasizing the gender characteristics and soft temptation of women like photos, this dessert is carefully hidden in nature, freshness and vitality, so that anyone who sees it will be filled with sunshine, and can't put it down and can't turn your eyes.

Sexy without showing off, this is more likely to be accepted by the media, film critics and the public.

This is not the route Miss Roberts originally wanted to take, but it was a better route, a harder route for most people.

Once the figure changes, nothing is gone.

If you want to maintain your body shape, you have to continue to train painfully for a long time every day.

And the real Miss Roberts doesn't need to do this, just eat and drink every day and serve someone in bed.

Every day it is more perfect and more exquisite!

The scenery and surfing shots that many people appreciate in the original film are actually not outstanding, common, and even slightly mediocre.

There are too many similar stunning shots, and Ning Yun believes that he can do better.

Many people think it is not difficult to make movies, and even more so after mobile photography becomes popular, I can also shoot beautiful scenery.

The difficulty lies in the sustainability. Occasionally, beautiful films do not mean always, nor does it mean consistent style.

A movie that appears abruptly once the style appears in the entire movie will make the moviegoers feel uncomfortable.

In other worlds, Ning Yun has done a lot of exercises in this area to ensure that the overall situation remains unchanged when integrating into his personal style.

In terms of surfing lenses, Ning Yun decided to add some innovation.

Surfing is a very attractive sport. Decades ago, all angles were almost shot.

The perspectives of the surfboard, the first perspectives are all in the surfboard.

Various fast and slow motion lens combinations, the camera moves, and they are also renovated, striving to show the surfer's free and easy beauty.

The shot that brings the audience the greatest sensory stimulation is undoubtedly following the surfer's sports perspective, which best shows the surfer's courage and agility of conquering the waves.

But there has never been a shot of following a surfer underwater, nor a shot of viewing within the waves.

It’s not that the director has a problem with his imagination, but a purely technical problem.

The resistance in the air and the resistance in the sea is too different, and it is almost impossible to follow the surfer in the water.

Ordinary surfers can also reach speeds of 20-30 kilometers, and those with high speeds can even reach nearly 100 kilometers.

Even with such equipment, it is very easy to pose danger to surfers, because it is basically equivalent to a torpedo following, and the surfer's speed changes at any time.

The advancement of film has always been accompanied by technological progress, or in other words, technological progress, which has promoted the expressiveness of films.

Overcoming this, the audience will watch a set of strange shots in the theater in this version of "Shake Beach" filmed by Ning Yun.

From the side where the waves advance, there is a layer of blue and crystal water, quietly following the beautiful figure in the waves.

Quiet and passion, two impossible emotions, perfectly blend together.

There is even more amazing behind it, following the perspective of the great white sharks and attacking Miss Roberts from the waves.

It seemed as if I had turned into a shark, fierce, silent, suddenly.

Unlike any thriller, it is shock, not shock.

The audience was mentally prepared, but could not help but be shocked by the horror of the shark.

The most ferocious beast in the ocean attacks the most beautiful girl in the waves.

Cruel and unscrupulous beauty.

It’s cold, passion, and destruction. After watching this set of shots, many viewers felt indescribable.

But every audience remembers this scene deeply.

These wonderful, imaginative shots greatly increase the fun of watching movies.

It also won praise from the media and film critics.

Only when you see this can the viewers know how different this film is from a traditional thriller.

Later, when the film was released, there were some interesting media comments.

"Director Ning Yun cleverly chose the best and most suitable actor, and tried to destroy her beauty again and again with various means. This wonderful way grasped the hearts of the audience. Unfortunately, this kind of destruction failed to succeed once. Emma Roberts was so beautiful that she couldn't stop. The audience was satisfied and the box office was sold out."

"In "Shake Beach", Emma Roberts' beauty is the ultimate, even more cruel, without any incompleteness. This is why the audience is likely to bring into the shark's perspective. Perhaps we have not discovered that many people have a potential to destroy perfection deep in their hearts. The director satisfies the audience's surface, but does not satisfy the audience's core. I guess it may be because of Miss Emma Roberts herself, she has enough persuasiveness to make director Ning Yun compromise. This way the film appears more commercial and not artistic enough. This is a regret, but I think the audience likes this regret."

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Chapter completed!