If you want to describe the relationship between the triple hell and millions of people, then the word "ecosystem" is most appropriate.

The Hell of Nightmare is connected to the human world through cemeteries at night, and the Hell of Pain is connected to the human world through mourning boxes.

The Raging Hell is a bit more difficult. It needs the Painful Hell as a springboard to connect to the human world. Normally, it can only indirectly interfere with the human world by relying on the dark contracts deliberately left by the demons who smuggled there.

Generally speaking, these three hells and many human worlds have been influencing and restricting each other for countless thousands of years, and have maintained a relatively stable dynamic balance within a certain period of time.

This is an alternative ‘ecosystem’.

However, for Mu Cang, who had 'devoured' a large number of books in the library, using the concept of the so-called 'ecosystem' to describe the relationship between these things was still not enough.

He feels that this super giant ecosystem called "Hell-Earth" is more like a computer program, like an intelligent searcher.

It will keep the number of human worlds connected by the three hells at 10 million.

Neither more nor less.

If the number of human beings decreases due to Elder Ouroboros and Uriel, it will immediately 'search' for a new human world in the infinite three-dimensional space and time for the triple hell to ravage.

What’s even more amazing is that if a mass extinction of species occurs in a certain human world and human civilization is destroyed, then this human world will be immediately replaced with a ‘new’ human world.

Even if the level of human technology in a certain human world has developed too advanced, so advanced that it completely occupies the entire solar system, and is so advanced that it breaks through the Oort cloud and sets foot in outer space to become a true interstellar civilization, this human world will be quickly destroyed.

Replace it with a human world from the classical era or the industrial revolution.

In addition to these, Mu Cang also has another extremely rare special situation in the book.

That is the changes in civilization, ethnic cognition and social form.

If the overall cognition or social form of human society in a certain human world undergoes a huge change and becomes completely different, humans no longer look like humans, and human society no longer looks like human society, this link will disappear immediately, and then

Reconnect to a 'normal' human world.

This gave Mu Cang a strange feeling.

He felt that this giant 'ecosystem' consisting of three hells and millions of human beings... was like a pig factory.

The triple hell is three piglets, and the millions of human beings...are bags of pig feed.

The pig factory is equipped with an intelligent supervision system, which is responsible for the feeding and healthy development of piglets.

It will always monitor whether the feed has expired, whether it has gone bad, and whether the feed has not been purchased from the wrong brand.

I was afraid that the three piglets would eat up their stomachs and that they would be stunted.

It's like... I'm afraid that when these three pigs grow up and are sent to the market, they won't be able to sell at a high price.

Really...

"It's so interesting."

Mu Cang bared his teeth and smiled, "Who is responsible for such a huge scale and such exaggerated gestures?"

Swish swish——

While laughing, Mu Cang felt that he could not 'swallow books' fast enough, so he transformed into thousands of clones and flew around the library to devour them.

Click click click click click——

The sound of chewing continued.

Mu Cang is certain that this 'ecosystem' must be a man-made product.

It's too deliberate, really too deliberate.

Are you saying this evolved naturally?

Only ghosts believe it.

Does it evolve across time and space?

As for why Mu Cang is so sure?

Very simple.

Because, he found an important piece of evidence that proved that all of this was man-made - the Mourning Box.

When Mu Cang opened the box of mourning for the first time in a glorious country that was unknown how far away from here, he paid special attention to it.

He discovered that the twisted 'channel' that carried Spencer the Nailhead across the vast void to the world of Anzel was actually a tributary of the Manhai.

It's just that the tributary that Spencer traveled through was very narrow, both in size and scale, it was far from comparable to the Manhai tributary that Mu Cang summoned in the material starry sky.

However, that 'pocket' tributary also has its own special features.

That's fast.

Its transmission speed is very fast, much faster than the tributary summoned by Mu Cang.

This also attracted Mu Cang's attention, which led him to use his senses driven by curiosity to conduct detailed exploration and research on the strange tributary opened by the Mourning Box.

After research, Mu Cang discovered that there was actually a huge power of pain in the form of multiple composite crystal lattices in that tributary.

Just like a large number of sorcery and witchcraft combined according to established rules, a mysterious array with various special effects will be formed.

These painful powers, which are complexly arranged and carefully stacked like an 'array', also possess extremely strange functions.

Its function is to make that section of the tributary... actually have a subtle space-time structure that transcends the three-dimensional level.

In other words, there are actually traces of human "editing" in a Manhai tributary.

This is very interesting.

Therefore, during the entire process of entering hell, Mu Cang, who was very interested, conducted an extremely detailed study of the twisted 'passage'.

After some research, it was finally determined that the structure of this section of the Manhai tributary is indeed a true four-dimensional structure.

It is this structure that makes the "flow" of this Manhai tributary speed up a lot, and it is very precise and reaches the hell of pain without any twists and turns.

It’s not at all as winding and winding as Mu Cang’s first ‘ride’ on the tributary of Manhai.

In addition to these, the undoubted fact that as a four-dimensional space-time structure can exist relatively stably in the three-dimensional fantasy realm also gave Mu Cang a great inspiration.

“Although the fantasy realm of existence is based on the imagination of infinite three-dimensional beings in endless time and space, it cannot stably carry the existence and entry of the ontology.

This chapter is not finished yet, please click on the next page to continue reading the exciting content! However, if we imitate the relatively stable short-term existence form of the Mourning Box's space-time 'channel', we can create a stretch of Manhai with a complete four-dimensional structure.

The tributaries connect to the real material world, and use the power of pain or further hatred to build a small four-dimensional space-time area at this end of the fantasy realm, so..."

While Mu Cang quickly 'devoured' many huge books, he thought leisurely, "Can the main body enter the fantasy realm... and successfully stay there?

If... even if the main body still cannot stay in the fantasy realm for a long time, then can a small part of the main body's limbs or a small part of the power... be able to exist here for a short time?

Even if I can only put one finger in and it can only exist for a second, then I have a trump card.

In this way, even if I encounter ancient myths, even ancient myths, or even more powerful existences in the future... I can easily defeat them."

At this time, he thought of a deeper problem.

"Then this 'special' Manhai tributary that appeared due to the Mourning Box...whose handiwork was it?"

"Is it... the possible owner of the 'pig factory'?"

No matter who it is, it cannot be Leviathan.

Because, for Mu Cang, who has completely occupied Leviathan's body and soul.

It can be said that he has a very deep understanding of Leviathan's accomplishments in the structure of space and time.

Mu Cang knew very well that Leviathan did not have this ability at all.

Its level of interference and utilization of the space-time structure is only about the same as that of Kedelon.

And this kind of high-dimensional space-time subtle structure created by using painful emotions is far behind even the ancient gods who are pseudo-four-dimensional beings.

So how could Leviathan, who was far inferior to the ancient god puppet, do it?

Moreover, many materials in the library also clearly record an important message:

The birth of the Mourning Box was much earlier than this generation of Leviathan.

According to the speculation of some monks who specialize in historical research, the history of its existence is likely to be traced back to the birth of the painful hell countless thousands of years ago.

"So...who could do this? Who has the ability to do it?"

Mu Cang, who has devoured 99% of the books in the library, clearly knows that the design of the Mourning Box is very complicated and wonderful.

But it is not so wonderful that just a mortal, an ordinary toy maker, relying on human materials can create a magic box that can open a four-dimensional space-time channel.

Simply unbelievable.

So Mu Cang has a guess about this:

"Memes."

"Countless thousands of years ago, an unknown being...perhaps the owner of the 'pig farm' drew the design of the Mourning Box and placed a meme on it, a meme that could be easily understood by mortals.

Design drawings and successfully create the finished meme.”

"So, this 'boss' really exists, and why does he do these things?"

Mu Cang narrowed his eyes slightly and suddenly thought:

"Is it for observation? To observe the disturbance of hell to human society, and the changes in human society due to this disturbance.
To be continued...